sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
Here's how I'm voting for the Lodestars! None of these books was a book I had zero reservations about, but they all had at least something worthwhile going on. Links to my full reviews in the titles.

1. A Snake Falls to Earth, by Darcie Little Badger

I loved the two stories that this book was telling, but I found that the way in which they were put together didn't quite work for me, because the switching back and forth was SO rapid.

2. Iron Widow, by Xiran Jay Zhao

Too dark for me to love it unreservedly, but I found the story and the characters very compelling!

3. Redemptor, by Jordan Ifueko

Loved the characters, thematic focuses, and worldbuilding, but the uneven pacing, heavy-handed elements, and some real over-simplification of issues meant that it didn't live up to what I hoped from it.

4. Chaos on Catnet, by Naomi Kritzer

A fun read, but the degree to which you have to turn your suspension of disbelieve WAYYYYYYYY up is just...a lot.

5. The Last Graduate, by Naomi Novik

Good themes, does many things that I OUGHT to like, and written very competently, but I just couldn't care about any of it.

6. Victories Greater than Death, by Charlie Jane Anders

Perfectly good at being exactly the kind of book it is, but I found it a tedious read. The only book on this list that I really struggled to actually get through.
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
Look! I read a book! I loved Darcie Little Badger's first novel, Elatsoe, so I was super pumped to give her second book a try. Unfortunately I didn't like this one quite so well.

A Snake Falls To Earth follows two characters: Nina, a Lipan Apache girl who has inherited a love of storytelling from her great-grandmother and wants to understand more of her family's history, and Oli, a cottonmouth person living in the land of spirits who has finally left his mother's home and must make his own way in the world.

Both characters are great, and both characters' stories are great, but the book switches back and forth between them at great speed, and for most of the book there is no connection between the two stories. For me, this resulted in a very frustrating experience where I felt constantly tossed back out of my immersion in the book every time the pov switched. And given how often the pov switched, that meant that it was actually very hard for me to read this book.

I loved Nina's efforts to translate and understand the last story her great-grandmother told her, and I loved Oli's developing friendships with the various people around him (Ami, a toad person; Brightest, a hawk person; and the coyote sisters whose names I never kept straight). And there are various good themes that the book is exploring! But the structure meant that I just couldn't connect as deeply as I wanted to.

I think this book would have really worked for me if it were actually two completely separate novellas, one about Nina and one about Oli. And if it had to be one book, I still think it could have worked for me if a) the sections were longer so there was more time between pov swaps, and b) the stories had more obvious connections between them from earlier so it would feel to me from the beginning like there is a reason these stories are paired.

I know at least one person for whom the structure as it exists actually really did work though, so it seems to be very much personal taste on this matter. I just wish it had worked for me!
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
Okay I've now read all the Lodestar finalists! (the hugo for YA basically.) Here's how I'm voting. Links to my complete reviews from the titles of each book.

1. Elatsoe, by Darcie Little Badger

I adored this book! Idek, it was just perfect to me. My review of it is basically just a list of things I loved!

2. A Wizard's Guide to Defensive Baking, by T Kingfisher

Fascinating and odd and with a lot of heart, like Kingfisher's writing so often is, and I loved every bit of it.

3. Legendborn, by Tracy Deonn

Good at being exactly the kind of book it is, and it explores some important themes, but I found the monster-fighting to be kinda boring, personally.

4. Raybearer, by Jordan Ifueko

An uneven debut novel, but with a lot of promise, and some things done very well.

5. Cemetery Boys, by Aiden Thomas

A very slow start and some uncomfortable implications in the ways the themes tied together, but I enjoyed all the various complicated relationships in the book.

6. No Award

7. A Deadly Education, by Naomi Novik

Competently written but I never felt compelled to care about anything that was happening.
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
I loved this book!

It's YA fantasy, and it's very much doing its own thing instead of following the usual YA fantasy tropes. It's a little urban fantasy, a little magical realism, a little horror (if you're a wuss like me), a little humour, and no romance whatsoever for the main character.

Ellie is a Lipan Apache teen, in a version of the world where various fantastical and magical things are real. Ellie's family has passed down a secret for raising the ghosts of dead animals, and she shares this ability.

When Ellie's cousin dies in what looks like a car accident, he tells her in a dream that he's been murdered by a man named Abe Allerton. Now it's up to Ellie, her best friend Jay, the ghost of her dead dog Kirby, and her family to find out what happened and bring justice to pass!

Some of the many things I love about this book:

1. The protagonist is explicitly asexual (and probably aromantic), but a big deal isn't made of it, it's just a fact about her and there's no ace 101 speeches by characters or narrative.

2. Ellie's family is deeply important to her, and a relevant part of all she does. So many books about young people (teen and child) are about separating the kids from the adults in caring roles in their lives, so that the kid has space to Make Big Decisions and Accomplish Things. Ellie does these things, but in the context of a family who love her and are doing their imperfect best.

3. Speaking of Ellie's family, her six-times-great grandmother is a major character in the book despite never showing up because she's been dead for generations, and I love her very much.

4. The way magic is integrated into the world as a totally normal and expected thing, and yet there are still these moments of the numinous with it. The prehistoric ghost ocean!!

5. Ellie and her family's indigenous identity informs so much about them, their lives, their priorities, and their experience of living in the USA, but the narrative is never didactic, instead it's "yup this is how things are"

6. Super compelling, I didn't want to put it down.

7. The background b-plot romance between Jay's sister Ronnie and a new young vampire, Al, was surprisingly great. Also the buff bridesmaids. They only show up briefly but they're a delight.

8. GHOST MAMMOTH

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